As a generative artist, my work explores the intersection of technology, randomness, and meaning, drawing from a diverse palette of influences, including modernist pioneers like Kandinsky, Pollock, Miro, and Klee, as well as the contemporary, vibrant abstractions of Pablo Echaurren. This lineage shapes my exploration of the avant-garde spirit, which I see as central to contemporary art: challenging norms, provoking thought, and engaging deeply with the complexities of modern life.
Motivated by a commitment to inclusion, environmental preservation, equality, and urban culture, my practice employs tools like p5.js and svg.js to create algorithmically driven abstract compositions. These works integrate precision with serendipity, offering viewers an opportunity to engage with the interplay of control and unpredictability a tension that mirrors our relationship with technology.
I view generative art as a transformative approach within contemporary art, where the process often eclipses the product. The use of algorithms and randomness allows for an organic evolution of art, breaking away from traditional notions of authorship and redefining creativity in the digital age. This resonates with the intellectual challenges posed by figures like Hegel and Danto, particularly regarding the relevance of art in a world increasingly dominated by intellect and technology.
In my portfolio, abstraction serves as a means of universal storytelling. Stylized forms and patterns resist direct interpretation, inviting viewers to reflect on themes like time, impermanence, and the digital transformation of human experience. My approach blends computational precision with human imperfection, echoing the innovative spirit of Vera Molnar and Harold Cohen, whose works redefined the possibilities of art through technology.
